Read e-book online Apparitions of Asia: Modernist Form and Asian American PDF

By Josephine Park

ISBN-10: 0195332733

ISBN-13: 9780195332735

ISBN-10: 1435620518

ISBN-13: 9781435620513

Walt Whitman known as the Orient ''The prior! the previous! the Past!'' yet East Asia used to be remarkably current for the U.S. within the 20th century. Apparitions of Asia reads American literary expressions in the course of a century of U.S.-East Asian alliances within which the a long way East is imagined as either close to and modern. advertisement and political bridges around the Pacific generated American literary fantasies of moral and non secular accord; Park examines American bards who capitalized on those ties and considers the cost of such intimacies for Asian American poets. l l The e-book starts its literary background with the poetry of Ernest Fenollosa, who referred to as for ''The destiny Union of East and West.'' From this leading instigator of the Gilded Age, Park newly considers the Orient of Ezra Pound, who became to China to put the basis for his poetics and ethics. Park argues that Pound's Orient was once sure to his the United States, and she or he strains this American-East Asian nexus into the paintings of Gary Snyder, who came across a local American spirituality in Zen. the second one half Apparitions of Asia considers the construction of Asian the USA by contrast backdrop of trans-pacific alliances. Park analyzes the weight of yank Orientalism for Asian American poetry, and she or he argues that the concepts of Lawson Fusao Inada provide a critique of this literary previous. eventually, she analyzes Asian American poets, Theresa Hak Kyung Cha and Myung Mi Kim, who go back to modernist types that allows you to show a historical past of yankee interventions in East Asia.

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C at h ay t o c o n f uc i u s 33 Fenollosa begins the essay in grand style: “This twentieth century not only turns a new page in the book of the world, but opens another and a startling chapter” (3). The surprise of this new chapter lies in the “Chinese problem”: “We in America, especially, must face it across the Pacific, and master it or it will master us” (3–4). Pound noticed when Whitman called his book “no book;/Who touches this touches a man”; Fenollosa’s calling the world a book must have been similarly exhilarating.

It is an urgent political matter that Americans understand Chinese writing because it unlocks Chinese thought—and, further, unlocks American aesthetics as well. Upon stating his aims, Fenollosa humbles himself: “I feel that I should perhaps apologize for presuming to follow that series of brilliant scholars, Davis, Legge, St. Denys and Giles, who have treated the subject of Chinese poetry with a wealth of erudition to which I can proffer no claim” (4–5). Pound tells us in a footnote that no such apology is necessary, but what is striking about this apology is that it functions to cast off both scholarly and European erudition on the subject.

It is an urgent political matter that Americans understand Chinese writing because it unlocks Chinese thought—and, further, unlocks American aesthetics as well. Upon stating his aims, Fenollosa humbles himself: “I feel that I should perhaps apologize for presuming to follow that series of brilliant scholars, Davis, Legge, St. Denys and Giles, who have treated the subject of Chinese poetry with a wealth of erudition to which I can proffer no claim” (4–5). Pound tells us in a footnote that no such apology is necessary, but what is striking about this apology is that it functions to cast off both scholarly and European erudition on the subject.

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Apparitions of Asia: Modernist Form and Asian American Poetics by Josephine Park


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